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Ferdinand Hodler, The Chosen One, 1893-94
The Chosen One (version 2) (1903) shows Hodler’s high Parallelism, with six women dressed identically in light blue gowns forming a rhythmic and near-symmetrical array. Each has angel’s wings, and their feet are raised above the floral alpine meadow. At their centre is a nude boy with a monastic haircut, apparently praying or worshipping by a small and barren sacred tree.
The symmetry is less formal than previously: Hodler has not arranged the angels in matched pairs, and each has slightly different hair, although all are brunettes. Four of them hold flowers, which also add to the compositional informality.
At the end of his seven week stay, Hodler returned to Geneva via Munich, where he officially joined its Secession.
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